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<title><string language="fre"><![CDATA[Introduction to Social distinction in the 21st recording studio by Amandine Pras]]></string></title>
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<string language="fre"><![CDATA[The recording studio represents a creative workplace with audio technology that deserves more
attention from the Social Sciences and Humanities. Since the beginning of the 21st century, the
traditional studio with large console desks and other expensive pieces of analog hardware has
been largely replaced by Digital Audio Workstations (DAWs) that only require a computer and a
sound interface, and that include software programs that emulate analog audio technology and
acoustic instruments to record, arrange, produce, edit, mix, and master. Being much cheaper
and more accessible than analog equipment and large acoustic venues, DAWs offer creation
opportunities to musicians who live far from major cities, who may not have access to higher
music education and well-equipped facilities, and/or who come from underdeveloped countries.
DAWs also question the need for trained audio professionals as they blur role distinctions
between engineers and musicians, and between producers and composers.]]></string></description>
<keyword><string language="fre"><![CDATA[Recording studio]]></string></keyword><keyword><string language="fre"><![CDATA[Music production]]></string></keyword><keyword><string language="fre"><![CDATA[Digital Audio Workstation]]></string></keyword>
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NOTE:Amandine Pras is Assistant Professor of Digital Audio Arts at the University of Lethbridge and Associate Researcher of the Centre Georg Simmel at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. Her research aims to enhance diversity and inclusion in audio through international multidisciplinary partnerships and cross-cultural pedagogy. PI of a SSHRC-IDG with Adam Patrick Bell, Emmanuelle Olivier, and James Clemens-Seely about the Social aspects and practices of the 21st recording studio, and of a SSHRC-PEG with Athena Elafros about Sound engineers’ and producers’ experiences of microaggressions in the recording studio, Amandine is leading the Music and sound-making research axis of AFRINUM- Digital cultures in West Africa: Music, Youth and Mediations directed by Emmanuelle. In 2018, Amandine released A Home Away From Home, a 50-min video documentary based on improvised meetings between outstanding musicians from New York and from Kolkata that she carried out in West Bengal at the end of her postdoctoral residency at the New School for Social Research in New York. She completed her PhD thesis in Information Sciences at McGill (2012) about best practices for musical recording in the digital era. Since her graduation from the Advanced music production program (FSMS) at the Paris Conservatoire (2006) and her participation in the Audio Recording Engineer Practicum at the Banff Centre (2007-2008), Amandine has pursued a career as a freelance music producer and audio engineer. She has worked with musicians as diverse as the ARC Ensemble, Jim Black, Quatuor Bozzini, Luciane Cardassi, Daniel Carter, Nels Cline, Benoit Delbecq, Subhajyoti Guha,Mary Halvorson, Tony Malaby, the Metropolis Ensemble, Andy Milne and William Parker. 
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<date><dateTime>2020-02-14</dateTime></date>
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NOTE:Amandine Pras is Assistant Professor of Digital Audio Arts at the University of Lethbridge and Associate Researcher of the Centre Georg Simmel at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. Her research aims to enhance diversity and inclusion in audio through international multidisciplinary partnerships and cross-cultural pedagogy. PI of a SSHRC-IDG with Adam Patrick Bell, Emmanuelle Olivier, and James Clemens-Seely about the Social aspects and practices of the 21st recording studio, and of a SSHRC-PEG with Athena Elafros about Sound engineers’ and producers’ experiences of microaggressions in the recording studio, Amandine is leading the Music and sound-making research axis of AFRINUM- Digital cultures in West Africa: Music, Youth and Mediations directed by Emmanuelle. In 2018, Amandine released A Home Away From Home, a 50-min video documentary based on improvised meetings between outstanding musicians from New York and from Kolkata that she carried out in West Bengal at the end of her postdoctoral residency at the New School for Social Research in New York. She completed her PhD thesis in Information Sciences at McGill (2012) about best practices for musical recording in the digital era. Since her graduation from the Advanced music production program (FSMS) at the Paris Conservatoire (2006) and her participation in the Audio Recording Engineer Practicum at the Banff Centre (2007-2008), Amandine has pursued a career as a freelance music producer and audio engineer. She has worked with musicians as diverse as the ARC Ensemble, Jim Black, Quatuor Bozzini, Luciane Cardassi, Daniel Carter, Nels Cline, Benoit Delbecq, Subhajyoti Guha,Mary Halvorson, Tony Malaby, the Metropolis Ensemble, Andy Milne and William Parker. 
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CC Amandine Pras]]></string>
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