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<title><string language="fre"><![CDATA[Strength in Diversity: Learning-through-doing in the Audio Recording Engineer at the Banff Centre]]></string></title>
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<string language="fre"><![CDATA[The Audio Recording Engineer Practicum of the Banff Centre mentored by James ClemensSeely hosts up to nine international participants to refine their technical and artistic skills in
residencies from four to twelve months long. Dating back to a 1984 Sound Internship program
founded by Theresa Leonard, it has evolved since then into a world-leader in sound recording
vocational training. Banff alumni have gone on to win multiple best-engineered Grammy and
recording engineer of the year Juno awards as well as many leading positions in the industry
and academia. Clemens-Seely is continuing the efforts of Leonard to ensure gender parity and
cultural diversity in the Practicum recruitment. Since Sept 2019, the Practicum has welcome
Issa Traoré, also known as Ken Lagare, as the first African participant. Laura Ferguson will
present the demographics and background of the Practicum participants between Spring 2018
and Fall 2019. Then, Clemens-Seely will highlight the alternative pedagogy approach of the
Practicum based on learning-by-doing together with the other participants, with access to a
wealth of in-house knowledge, visiting faculty experts, extensive analog and digital audio
equipment, and world class artists = collaborating across a great range of musical genres.]]></string></description>
<keyword><string language="fre"><![CDATA[Canada]]></string></keyword><keyword><string language="fre"><![CDATA[Recording studio]]></string></keyword><keyword><string language="fre"><![CDATA[Music production]]></string></keyword><keyword><string language="fre"><![CDATA[Alternative pedagogy]]></string></keyword>
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NOTE:Amandine Pras is Assistant Professor of Digital Audio Arts at the University of Lethbridge and Associate Researcher of the Centre Georg Simmel at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. Her research aims to enhance diversity and inclusion in audio through international multidisciplinary partnerships and cross-cultural pedagogy. PI of a SSHRC-IDG with Adam Patrick Bell, Emmanuelle Olivier, and James Clemens-Seely about the Social aspects and practices of the 21st recording studio, and of a SSHRC-PEG with Athena Elafros about Sound engineers’ and producers’ experiences of microaggressions in the recording studio, Amandine is leading the Music and sound-making research axis of AFRINUM- Digital cultures in West Africa: Music, Youth and Mediations directed by Emmanuelle. In 2018, Amandine released A Home Away From Home, a 50-min video documentary based on improvised meetings between outstanding musicians from New York and from Kolkata that she carried out in West Bengal at the end of her postdoctoral residency at the New School for Social Research in New York. She completed her PhD thesis in Information Sciences at McGill (2012) about best practices for musical recording in the digital era. Since her graduation from the Advanced music production program (FSMS) at the Paris Conservatoire (2006) and her participation in the Audio Recording Engineer Practicum at the Banff Centre (2007-2008), Amandine has pursued a career as a freelance music producer and audio engineer. She has worked with musicians as diverse as the ARC Ensemble, Jim Black, Quatuor Bozzini, Luciane Cardassi, Daniel Carter, Nels Cline, Benoit Delbecq, Subhajyoti Guha,Mary Halvorson, Tony Malaby, the Metropolis Ensemble, Andy Milne and William Parker. 
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<date><dateTime>2020-02-14</dateTime></date>
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NOTE:James Clemens-Seely is the Senior Recording Engineer at Banff Centre for Arts and Creativity. Overseeing the Audio Post and Audio Recording Practicum programs in Banff, James is responsible for overseeing over 100 concert, album, film score, and live stream recordings annually. Before moving to Banff, he taught Technical Ear Training in McGill University’s prestigious Sound Recording graduate program. James’s engineering credits include albums nominated for several Junos and a Grammy award and a Canadian Screen Award for best music. From storage lockers to symphony halls, James has worked with garage bands, singer songwriters, nearly every orchestra in Canada (in addition to the New York Philharmonic and Boston Symphony Orchestras), electronic music artists, and everything in between. 
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<string language="fre"><![CDATA[Droits réservés à l'éditeur et aux auteurs. 
CC Amandine Pras]]></string>
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