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<title><string language="fre"><![CDATA[The ethnomusicology of recording studios by Emmanuelle Olivier]]></string></title>
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<string language="fre"><![CDATA[Emmanuelle Olivier underlines how the ethnomusicology of recording studios can teach us about musical
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<keyword><string language="fre"><![CDATA[Recording studio]]></string></keyword><keyword><string language="fre"><![CDATA[Music production]]></string></keyword><keyword><string language="fre"><![CDATA[West Africa]]></string></keyword>
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NOTE:Amandine Pras is Assistant Professor of Digital Audio Arts at the University of Lethbridge and Associate Researcher of the Centre Georg Simmel at the School for Advanced Studies in the Social Sciences (EHESS) in Paris. Her research aims to enhance diversity and inclusion in audio through international multidisciplinary partnerships and cross-cultural pedagogy. PI of a SSHRC-IDG with Adam Patrick Bell, Emmanuelle Olivier, and James Clemens-Seely about the Social aspects and practices of the 21st recording studio, and of a SSHRC-PEG with Athena Elafros about Sound engineers’ and producers’ experiences of microaggressions in the recording studio, Amandine is leading the Music and sound-making research axis of AFRINUM- Digital cultures in West Africa: Music, Youth and Mediations directed by Emmanuelle. In 2018, Amandine released A Home Away From Home, a 50-min video documentary based on improvised meetings between outstanding musicians from New York and from Kolkata that she carried out in West Bengal at the end of her postdoctoral residency at the New School for Social Research in New York. She completed her PhD thesis in Information Sciences at McGill (2012) about best practices for musical recording in the digital era. Since her graduation from the Advanced music production program (FSMS) at the Paris Conservatoire (2006) and her participation in the Audio Recording Engineer Practicum at the Banff Centre (2007-2008), Amandine has pursued a career as a freelance music producer and audio engineer. She has worked with musicians as diverse as the ARC Ensemble, Jim Black, Quatuor Bozzini, Luciane Cardassi, Daniel Carter, Nels Cline, Benoit Delbecq, Subhajyoti Guha,Mary Halvorson, Tony Malaby, the Metropolis Ensemble, Andy Milne and William Parker. 
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NOTE:Emmanuelle Olivier is an ethnomusicologist, Senior Research Fellow at the CNRS (Georg Simmel Centre, CNRS-EHESS) and Lecturer at the School of Advanced Studies in the Social Sciences (EHESS Paris). Her work, based on in depth field surveys in West Africa for 20 years, focuses on musical creation in the global South. Her empirical research is accompanied by an analysis of the conditions of production of scientific discourse, as well as the issues and practices of ethnomusicology. From 2009 to 2012, E. Olivier directed the ANR project "Musical creation, circulation and identity market in a global context"(GLOBAMUS) and from 2013 to 2015, she was a member of the ANR project" From discomorphosis to the digitamorphosis. About the effects of the digital turn on the tastes morphology and the uses of music in the everyday life "(coord. P. Le Guern). In 2013-2014, she co-directed the project "Contemporary Art and Popular Music: Making of Work and Régimes of Authority " with Nicolas Donin (IRCAM), and since 2016 has been a member of the International Research Centre "Malian Reconfigurations: Cohesions, Territories and Development" (MaCoTer, IRD) based in Bamako. She is the author of several books and journal issues, including World music. 
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